By Loretta Anne Castagna
This article was reprinted with permission
from The Crafts Report magazine. It was originally published
in The Crafts Report's May 2004 issue.
A majestic 20-foot walnut totem pole on Oscar Newman's
property in Hensonville, N.Y., overlooks a glorious sweep
of the Catskill Mountains. Sunlight casts shadows on the
stylized heads of foolish young men, tormented salmon and
sage frogs. A harsh myth of the Northwest Nootka tribe,
"How Man came to Understand Nature," reads downward
from the pole's lofty top.

| The
late Oscar Newman, a Catskill totem pole artist |
Newman carves his works from native species, and the use
of local wood allowed him to apply for an Economic Action
Program (EAP) watershed grant. The EAP grants are funded
by the United States District of Agriculture Forest Service
and distributed by the Watershed Forestry Program to businesses
using wood harvested from the New York City watershed.
Forestry is promoted as a viable business activity through
the grants. A well-managed forest is the preferred way of
protecting water quality. Developed land has an abundance
of impervious surfaces (pavement and rooftops) that channel
water directly into drain systems. "In a forest,"
explains Forestry Program specialist Collin Miller, "water
percolates through the soil. If there are any impurities
in the water, a lot of them can get filtered out through
forest soils."
Newman, whose great-great-grandfather was from the Nootka
tribe, retired from a career in architecture and planning.
His family owned an extensive collection of Northwestern
Indian art. "Having been born and raised among these
artifacts," Newman recalls, "I always wanted to
carve the imagery of my Indian side."
Newman prefers to carve wood that is cracked and deemed
"secondary." His grant application "showed
a use for local wood that would otherwise be broken down
for firewood." The grant allowed Newman to expand his
studio and advertise. One of the advertisements, in the
"Catskill Mountain Region Guide," caught the attention
of Peter Finn, chairman of the Catskill Mountain Foundation.
"It resulted," Newman says, "in the Foundation
asking me to write a book about my work."
Grants Average About $25,000
In 2003, the Watershed Agricultural Council and USDA Forest
Service provided watershed grants totaling $323,207 to 13
New York businesses, with an average grant award of $24,862.
Grants are used to pay for technical assistance, information,
and studies; create innovative marketing links for a wood
product; or improve the equipment and physical plant of
a business. Grant recipients range from large commercial
wood operations to small craft businesses.
Grant amounts are distributed to recipients in thirds.
Each portion must be matched with cash or "in-kind"
services. Grant awards are matched in many ways, the most
common being salary/wages (sweat-equity), cost of supplies
and materials for the project, assets, or capital equipment.
Publicity Leads To New Opportunities
Romancing the Woods of Woodstock, N.Y., received an EAP
watershed grant to upgrade equipment and fund marketing
efforts. Partners Marvin Davis and Robert O'Leary harvest
eastern red cedar for their rustic outdoor furniture and
structures. Every bark-covered branch of the tree is utilized
for their gnarled rustic gazebos and bridges. "The
more bent and weirder the tree is shaped," O'Leary
says, "the better it is for us."
Romancing the Woods printed new folders and brochures and
placed advertisements in two magazines: Period Home and
Traditional Building. "Through the advertisements,"
O'Leary says, "we made contact with a lot of landscape
architects." Landscape architects ordering structures
for their wealthy clients have grown to half of Romancing
the Wood's business.
Apprenticeships, Marketing Funded
GreenTree of Delhi, N.Y., produces a line of studio furniture
and home accessories distinguished by environmentally sound
finishes, elegant contemporary styling and impeccable craftsmanship.
Jenifer Green and her husband, Don, were awarded two EAP
watershed grants. "We fit in perfectly with the grant
criteria," Jenifer Green says. "We focus on using
domestic hardwoods for our work."
The first grant allowed GreenTree to hire an apprentice,
Steve MacClintok, for one year. "An apprentice enabled
Don to concentrate on new areas," Green says, "and
he was able to develop a new studio furniture line."
The second grant provided funds for a Web site and catalog
to market the new collection. The new furniture was well
received at the wholesale markets and upscale retail shows
where GreenTree exhibits. "The bottom line," Green
states, "is the marketing increased our sales."
Richard Johnson of Sculptural Furniture studied sculpture
with renowned designer Wendell Castle in college before
he set up a studio in Andes, N.Y. Although custom cabinetry
provided the bulk of his income, Johnson wished to pursue
more one-of-a-kind furniture projects. An EAP watershed
grant allowed Johnson to purchase new equipment and hire
a part-time apprentice, Nobuto Suga. Suga is Japanese and
brought a fresh perspective to the shop. "The grant
helped smooth out that transition from being just a one-man
shop like I've always been, to taking on an employee,"
Johnson says. Training Suga freed Johnson to expand the
custom furniture side of his business.
Renovated Studios, Enhanced Businesses
Judd Weisberg, a rustic designer in Lexington, N.Y., expanded
his studio with an EAP watershed grant. A new 440-square-foot
addition increased his workspace by one third. "The
new addition has enabled me to take on multiple projects,"
he says, "and enabled me to do larger work in-house
rather than having to rent a larger location." In the
past, Weisberg rented studio space two hours away when he
needed to fabricate the larger work he creates - massive
rustic railings and custom architectural installations.
Recently, Weisberg assembled an elaborate floor-to-ceiling
birch bark mural in the renovated studio, a large work that
would have been completed off-site in the past.

| Jerry
Farrell’s clock is an art piece made with sustainably
harvested wood. |
Jerry and Jessica Farrell of Once Upon a Forest build high-end
rustic furniture in the Adirondack tradition. They are best
known for their ornate rustic grandfather clocks. Intricately
built by Jerry Farrell, the clock faces are adorned with
Jessica Farrell's wildlife paintings. Their workshop, an
old barn on their property in Sidney Center, N.Y., is being
renovated through an EAP watershed grant.
"The barn was in pretty bad shape," Jerry Farrell
says. "It would have actually fallen down. The grant
provided the money to go to town on it." The Farrells
shored up the structure and added improvements including
an air collection system and new gas furnace. The grant
also allowed Once Upon a Forest to upgrade their kiln drying
system. The Farrells provide rustic raw materials - birch
bark, twigs and some larger logs - to other rustic artists.
More Participation Wanted
The EAP watershed grants give craftspeople a boost to help
their businesses develop and thrive. Miller is hoping to
get word out to more businesses, especially in the watershed
area east of the Hudson River, where forestry programs are
not as popular. "We've seen no participation whatsoever
from the east-of-Hudson region" Miller says, "and
I'm not sure what the reasons are, or if they are completely
unaware of the program."
And Miller hopes the program's goals reach consumers as
well. He would like the people who purchase a handsome rustic
clock or a towering totem pole to also appreciate the connection
between the artisan's business, "sound forestry management,
and the clean water that flows from their taps."
Loretta Anne Castagna a writer and jewelry designer in
Albany, N.Y., was recently awarded a New York State Council
for the Arts grant The application deadline for the next
round of grants is Oct. 31, 2004. Applications are available
online at www.nycwatershed.org.
A map of the Catskill and Delaware New York City Watersheds
on either side of the Hudson River is also at www.nycwatershed.org
under "Clean Water." For more information, contact
Collin Miller, Forestry Program Specialist at the Watershed
Agricultural Council, (607) 865-7790
|